February 2012
6 posts
8 tags
Feb 26th
2 notes
Feb 25th
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Feb 17th
11 notes
6 tags
Feb 8th
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Feb 6th
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Feb 3rd
3,615 notes
January 2012
11 posts
Jan 29th
1 note
Jan 27th
2,853 notes
3 tags
Jan 26th
1 note
Jan 24th
25 notes
Jan 18th
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Jan 12th
89 notes
4 tags
Jan 8th
4 notes
5 tags
Jan 7th
6 notes
Jan 7th
18 notes
closing the FbL postcards series
feedbacklooplabel: unfortunately it is not possible to continue this project, due to the accumulation of several other ongoing projects and also due to several other aspects of my life. For these I would like to apologize, especially to the artists from whom I already received tracks. I hope you forgive me. Kindly, Leonardo  Understandable, but a shame nonetheless. It was a wonderful project...
Jan 6th
3 notes
4 tags
Jan 5th
4 notes
7 tags
Jan 1st
8 notes
December 2011
17 posts
Dec 31st
9 notes
Dec 25th
34,168 notes
Dec 24th
9 notes
Dec 19th
2 notes
8 tags
Dec 16th
5 notes
4 tags
Dec 15th
8 notes
Dec 14th
10 notes
3 tags
Dec 9th
2,001 notes
Dec 9th
39 notes
“It’s entirely conceivable that life’s splendor surrounds us all, and always in...”
– (via phoenixandthefire)
Dec 5th
49 notes
Dec 5th
4 notes
6 tags
Intimacy Is the Language of Art
I recently noted on twitter that I felt dissatisfied with my Google+ music circle because there was an over-abundance of discussion about gear and business, and a crushing dearth of conversation about craft. This led to a productive and intriguing dialogue between myself and two other musicians, one in the UK, the other in Canada. I was both surprised and delighted, as I always am, to exchange...
Dec 4th
Dec 3rd
50 notes
Dec 2nd
71 notes
Dec 2nd
1 tag
Listen, Oram Else...
Read full review of The Oram Tapes: Volume One - DAPHNE ORAM on Boomkat.com ©
Dec 1st
November 2011
3 posts
Nov 12th
289 notes
I Can't Stand It One More Day
I spent the day trying to decide if I wanted to use a minor, or a minor 7th, or possibly a seductive minor major 7th. This isn’t a vanity choice; this is real, hard decision-making. The emotional connotations of each option will have lasting impact on the entire work, much as the strains at the onset of an opera had better be the ones you want to revisit, and perhaps contradict — or at...
Nov 8th
Nov 5th
October 2011
19 posts
Oct 29th
1,303 notes
Oct 29th
Oct 27th
16 notes
Oct 26th
203 notes
Oct 25th
524 notes
Oct 25th
62 notes
Oct 24th
Oct 23rd
93,455 notes
Oct 22nd
Oct 21st
8,992 notes
With a Lot of Fermatas
This was coming for awhile. I even mentioned it a few posts past. Ignoring tempo and meter as I compose has utterly mucked with my personal time/space continuum, and I just spent the better part of the day figuring out that I’ve been writing in 5/4 at approximately 105. With a lot of fermatas. For myself, I don’t care. I’ve been blithely going about composition based on...
Oct 21st
Oct 20th
Oct 13th
14 notes